The velvet underground venus in furs1/26/2024 All quite nice, but none of them had John Cale, or Nico, or the mind-bending decadence I’d by then read quite a bit about. The only Velvet Underground albums anyone could find in 1984 were Live 1969, Live at Max’s, and Loaded. I could even force myself to listen to a whole side of Metal Machine Music, and nothing the Dickies or the Damned did could touch that decibel-piercing horror. It was enough that the godfather of all punk rock was my undisputed area of expertise. They accepted me as one of their own even though I knew nothing about the Clash, let alone the Dickies or the Damned. A Lou Reed T-shirt won me the regard of the punk contingent at school. His vast body of work became the breadcrumb trail that turned me cool as I followed it to the Princeton Record Exchange, Vintage Vinyl in New Brunswick, and the Vinyl Vault in Woodbridge. Lou Reed suddenly appeared on MTV, parting the Duran Duran and Tears for Fears videos like Moses at the Red Sea, and dancing deadpan behind shades in a video for a song called “I Love You Suzanne.” He talked like I wanted to, walked like I wanted to, and we had the same birthday (March 2). By my junior year of high school, I had been transplanted to New Jersey and grown into a social cripple. Because my dad was nervous about his second-favorite viola getting damaged, I was allowed to quit, and instead spent the next few years reading comic books and not talking to girls. I was a lightheaded child, prone to dizziness from standing too long, and I passed out one too many times during my lessons. Cale’s amplified viola makes simple upward-bow-movement scraping noises to mimic whip sounds until the chorus, when his bowing switches downward and draws slowly across the strings to send out a chilly wave of salve as Lou sings what every pissed-off, unwilling music student who has to stand for an hour with a giant hunk of wood under his neck feels: “I am tired. There is no intro or buildup to the song the track starts as if you opened a door to a decadent Marrakesh S&M/opium den, a blast of air-conditioned Middle Eastern menace with a plodding beat that’s the missing link between “Bolero” and Led Zeppelin’s version of “When the Levee Breaks.” Maureen Tucker’s drums and Nico’s tambourine are like grim pacesetters in a parade of flagellants, with Sterling Morrison’s and Lou Reed’s trick-tuned guitars jangling up a thick cloud of atonal incense and hashish smoke. Heard, who won $2 million in her own countersuit, reportedly can’t afford to pay the $10.35 million in compensatory and punitive damages awarded to Depp and intends to appeal the decision.Having been forced to take viola lessons in third grade, I found it liberating when I first heard John Cale scraping away in “Venus in Furs” like he was purposely trying to piss off my dad. However, this isn’t the last we’ve heard of the trial. Along with his latest foray into music, Depp is currently in pre-production for a film in which he’ll play King Louis V, but it’s yet to be seen if Hollywood views him as too much of a liability for tentpole blockbusters. I just hope people will take him seriously as a musician because it’s a hard thing for some people to accept that Johnny Depp can sing rock and roll.”Īlthough this new endeavor comes after the conclusion of Depp’s defamation trial against ex-wife Amber Heard, the actor has actually been a rock musician for years, most famously as a member of The HOLLYWOOD VAMPIRES with Alice Cooper and Joe Perry. “ I haven’t had another creative partner like him for ages,” Beck said about Depp in a statement accompanying the album’s announcement. It will also contain two Depp originals, including the previously released “This Is a Song for Miss Hedy Lamarr.” In addition to their VELVET UNDERGROUND cover, Depp and Beck’s upcoming album, 18, will feature them taking on songs by THE BEACH BOYS, Marvin Gaye, and THE EVERLY BROTHERS. Whereas the original is notable for John Cale’s electric viola and Moe Tucker’s bass drum and tambourine shake backbeat, Depp and Beck’s take is more straightforward and sludges forward with fuzzed-out guitar and bleary vocals. Like it or not, Johnny Depp and Jeff Beck have a collaborative album on the way, and now, they’ve dropped the latest preview, a cover of “Venus in Furs” by THE VELVET UNDERGROUND.
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